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-. Tichets from Reval Festival London S.E4. and usual Age us General Manager: join LONDON Today PHILHARMONIC 12 . emard Haltiek Now. Leonard Koss . 730 Leadon Phitharmenta rf Orchestra Lids ree NEW PHILHARMONIA i 16 Now, ous . ao ae} pam New Phitharmonia Orchesira Ltd. Merold Davison Lad, 2 (WAT 3191) , ee Parks swale Py Pe ROYAL FESTIVAL HALL Deateog, €.B.E. . Keetboves ... Overture, Egmont Dvorak ,,... Cello Concono ia B minor Bratmy ,..., Symphony No, } ia C minor 20/- U1/- Gall others sok) “Glf= 42f- fal ornery ah a & % p.m. . QUEEN ELIZABETH HALL 7.45 pm | o15i- 10f- Si- — , PURCELL * Prokofey 1 Sonata Na, 2 in 1.895 18 PORTIA_WIND FNSEMBLE 7M ao ‘Thueaday rie Bangi: Quintct Op. 56 ee Five Pieces (Prizewinnes, conduct at Pile phonies Geoltfres Greys Serenade ZTE ARMADA 1584” devised by Peter » Toda: 2 New Tony Chirch, Jag Holm, Prunella Scales, T p.m. quicat) 14j/~ 40. Gail oahers bold) ‘ ; ROSE INLANDPR-GOVER (piano) GERALD Teeday GOVER OPERATIC ENSEMBLE Melvina Major $30 oF. Maurice Arthur (icnor} Garden Honey Bm | by Mosurt and Brats 12/6 10/- 7/6 Si- ANDREW NicGEE (iolin) MICHAEL FREVILAN (piano) Wenge] Back: Sonata in £ minow Beethoven : Sonata in C minor, D Op. f+ 1016 716 Sf Today HUNGARIAN QUARTET 12 Nov, Bartok artets Now. 2, 3 and 3. 3 pm. | 1216 romerved 7/6 anteacrved 7 Qu _ Reval Festival Halli toed. EDMUND KURTZ (cella) ERNEST LUSH (piano). ~ Reethoven: Seven Poedar Vanations inh fiat on Be Mannera wache Liebe fihien Brahms 1 Sonata in am. . pi 5 UT : ile mace TAS D.me. Bem” sees we ‘Sin "wont mem Wilfrid Van Week Lid. any <SRTTERN SINFONIA ORCHESTRA IQ1IN DANKWORIH ORCHESTRA Wataerday eens | john, Dankworth and David Hasiam Daekworth : Excapaue ; fi,Net these Morals —First Loudon performances. Pm. 28j- ‘W)- 1Si- 1Of- 7/6 MICHAEL ROLL Im peice winner 1963 Leeds Lmernational Piano competion Theredar | Beethoven | Six Bagaiclhes, Op. 126; Sonata in © minor Op, 111 Barték: Sake . ussores Piavtes from en Exhi 1-45 pam | OP, Maer i Harold Holt Lita. —~ NOLISH CHAMILR ORCHESTRA Raymond a toond) Janct Bakoc ier aii ‘Neva: Symp No. “s R. Genaliey: ariationa for Serings dist vert pert.) Handel hf erode o jato Mu} andonia Hay 14S pee | Oe No ee, (25/- 20/- 15/= he English Chamber Orch. Lid. feterday | SUK TRIO ‘ ' : minor, _ 101; tm B, Op. #, nC, Op. 37 ia Nor Brahma Trios: fa © Op. H Be Brea ae Cor on mana HRUUV Or Martie Beat Ginger with lute and Apeilo Society GOVER (plano) GERALD (oprano) Bory! Cook (mezzo) fc) David Fortes (clarinet) Works Centre for Musical interpretation Op. 30 No. 2 brillant in Bo omunoc robert & ub Christopher Hunt Lid. S4a Sch sithon Prize Conocrt £100 No. | Moraré: Adagio K. 411 Michael Clement Gibbs! ed oy Ronaid Gillham) Purick Harrex: Anti- 1S/- tO/- 7/6 S5i- Porsla Wind Ensemble Frifay 1T Nerv, 7.30 pom. Charpsichord) Rach: Sonatas in A Group of songs Mozart: Sonata in Wj- Iie Sf- 18 Nov. No. 2 in 1.6 pi - _ Saturday Bral Sonata In A - Variaziony di bravura 12/ rahe: DEE MT SOR WIMNIFRED ROBERIS (iclin) HELEN WaTis (0 “ROYAL: FESTIVAL HAL siahs! GEBAENT JONES an! E for violia C K.296 Hajdo: Kirck Gena ‘and harpsichord Purcell t Canta; Afiana a Naxos man Concert Soctety Lid. ARTO NORAS (cello) GEOFFREY PARSONS (piano) hms: Sonata N F Op. 9 ’ mata in D minor Boccheninis Schubert: Sonaia in Debousy : A Minot & Wi- 7/6 S/- D. 821 ¢(Arpesgionc) Paganini s Harold Holt Ltd. sole stapes + Fouls Northern Stafonta Concert Soc. THE TV critic's choice of view- ing is, of necessity, artificial. The new has to take precedence over the familiar, the docu- mentary over the old. movie, the play over the serics, What is more, from fear of turming into an armchair Baedeker, ° there is a tendency, to impose & thematic grid. over - the - week's output. comma tees This obsessive pattern-making ; “Mme ..seeee. Fantasia jo C minot 8.562 m-m Wed. _ ORGAN RECITAL “"behllbler, Chorale | has to be watched, but in the last -45 ALENA VESELA . prelude apd Fugue is Bix | week or two they've made jt easy - Nov no, , 8.552 for us. The bi<centenary of the. “o, BSS pm. Revel r itved ‘weit Iaeterk ate NGlewatttie Mas) Russian Revolution produced two wy ; ral Fas f= Ginctudlog programme) important documentaries, while a , Ff = —— actual account of a real police “Wed. “| LONDON SYMPHONY |""*°T8 "Romeo ‘and duet force suggested a fresh look at the 15 » Moshe Aurmon Brach ......65 Violin Concerto No. 1 telly-fuzz. Yeu, as is often the case ; Nev. Maar Otetrak Beethoven -... SypPRoru Nef .? resulted from tuning OD a few pm. Victor Bechhauser Lid. $0/- 25/- Gall others 20ks) oamnine before 2 marked pre ammi ng o Fri “ RERLINER Pact Desa .. in Memoriam | Beno Brecht [ after it, é Mahler . ...+-5 ¢: t febrenden = 17 ST AATSKAPELLE Geasellen Last week, for instance, ] hap- Nov, ee lard Mamie 8 Bracknae =... Syroptiony No. 7 ia B pened to catch the second half “8pm. Auaaiicn Burmeister - - Please aor change ef conductor. of Talkback (BBC-1), and saw Berader! and Comeany Led. B1f- aSfs LO, 4/8 Sf Stuart, ‘Hood .in the hot-seat, - — ° defending “his view *that- % 1 . { z FE most Bet. | STAN GETZ QUARTET peopie who wriic in about TV s 1. |. - MeNNY GRAHAM'S dens Concerts shows are usually cranks, while . Nov. ¢ APRO-LU ad among those viewers who wished €15 p.m stje 18/6 1276 10/6 B/- to refule this argument was the liberals’ bogy-woman - herself~ Mrs Mary Whitehouse. I have always felt alighlly worried about this lady in the past because ] found it difficult to dismiss the nag- MORTIMER : | Joking with Bunuel THE fantasy which opens Luis Busuel’s Belle de Jour (Curzon) is —and ] believe it was intended to be—highly comic. A jingling car- riage and pair clops through an aulumn forest; on the box, two impassive coachmen in full livery; in the carriage, the most pleasant young marricd couple imaginable, handsome, rich, in love, not a feel- jing out of place. Suddenly the hus- band orders the carriage to stop. He tells the coachmen to drag his wife, screaming, into the under- growth. She is tied to a branch, stripped and whipped. ‘She's all yours, the husband says laconic- ally, Unbutioning, the coachmen fail to like wolves. The poor littl fluttering creature closes her eyes and gives in... . The fantasy is, of course, the wife's, and the most interesting aspect.of the thee de pedi intb—ane in * Extor-, hen ging idea that, where: sho stood for seemed sive, it was possible th represent the views of public and, by ignorin. and applauding the BE it put owt @ progran suspected: might drive I was deliberat ig with a moral + "Talkback "get my mi b °* ‘The audience is, as tion is at pains tc * statistically — selecte< Hood's inquisitors h. shares in the fashio: sive; but ence Mrs ' out her hobby-horse: by one, publicly associate” themse!\< views, and attacked * viewers’ council’ tc of the whip the BI form. What is mo. audience broke into : ter at the most tech assertions and vole in favour of the m. ought to question « and had the right to - shock us, without fc This is not to imagine she has no does wcm, if th genuinely represents ever well organised mains a minority : and vof aiocyn majority. ‘a and there are consi. it—the character instance, goes no fu handsome and = di appearance, Nor da In spite of her turid appear more than shell. AJl this can, plained by the fact simply not meant t ously, Itis a brillia: joke which tells onc little, about the scx men and women as on the subject. 11 tivating but not pr Robert Shaw anc are the only om heavenly bodies, + with a great pl Custer of the We: Shaw the Cinerami he is capable of fi! of screen with a gr yet, like Burton, he scene he plays w