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HEARNAP — Part 19
Page 589
589 / 919
Tape 5 ‘ - Om
The virulence of Micia 's distortions evidenced Pics 4 continues
out of contro] through Tape 5. Her attempts at some sort of neutrality,
taking the form of sympathy for the cause of. the SLA and rejection of her,
parents while not herself an active participant in the SA'S: criminal pl ns ,
is now rejected, The identification has now spread even to the jailed SLA
elements whom she has not met. She sees her own fate as similar to theirs,
' a martyred, adored victim jailed by the corporate state as a political
prisoner. One of the ones who will emerge from jail as a here. Inher
perspective, this is a small price to pay and even attractive in a romantic
sort of way. for what otherwise might be the loss of protection she now
depends upon from her assumedly knowledgeable captors. With the knowledge
of hindsight, it is apparent that at this juncture the SLA was planning a
bank robbery with Patricia as the star of the bank security film. The
neutrality of her verbal pronouncements was not to be sufficient. A ritual
act of commitment was: required which clearly had jail as its consequent.
Buoyed by the support of her comrades in idealism, taken by the practice in
being "bad" and loved for it, flattered by her centrality in the SLA plans,
Patricia hurtles through Tape § towards her destruction.
The anxiety provoking ambiguity of Patricia's captivity is resolved
in this tape by a focused hatred of her father as the personification of
her feelings of rejection. She projects her own guilt of manipulativeness
and self interest upon her father. Her language has taken on the inflated
meaninglessness of the love-hate dichotomy she has always felt toward her
father. Under the social reinforcement of her captors, she has Simplified
her world into the black and white of the good and ‘the evil, Neutrality”
is rejected as the cause of uncertainty and the source of her fear. Her
‘ wo aye : oo.
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