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CONFIDENTIAL Bxgerpts from the criginal letter proposing the film:. 1.MILE de ANTONIO You: publie.it.on (l'rairin Fire) is very yood. Howaver,. ..ar f cnnections. Prirt simply doesn't reneh the l o pcple th t a well-mace film can leach. Your out- goag gosture in th: publication is not only rirst rate but tould bc: t.s: beginninq of tho recognition that there can and . exis: t.! he .cft differcnt kinds of people who serve Hitfer .unctions, some who <an nove openly, some ... Filn. oi Ty lrngth to reacl. milliors'of people. y icassble to nake such. film. The film .'...j hav.: five or six spcakers. Lach speaker ... & swgnent or maior theme of the publication. Why did vou happen and what is your history? Ac..., hiainy out aid functicning in the usA over Yare. Sn. woice siculd be about where you are now .mn't w.n phy:ieally but politically... it should be didactic j1: tls: tiui.ie th.tt ic should cpen eyes and point directions for Cth.r: ....u: compromising you. I do chink one voi:s snould. r1k in:laticn... the Film should .lso discuss violonce, . kinds.whose violence? against whom? you ut't: .ot astors and yee the film should rave cnough excitement : people looking at it would want to identify ar.d ..ut. undergrounds of the past. 'hur cxists not only not enouyh information about you ir: 4 ...rent wuy related to actions but even more important in.. ttit: spirit of the 60s is dying. There exists a et .rsiy ard programmatic vacuum. The poople have nct. :et. 'thnd thnt rord is worse than Nixon becausc the good yt: Mg!sst wnemselves that need to be brought to people. I rso:lly think thc situation riqht now when most people 60s. wo are a police state. Our Ty denonstrates this '.:y night, a corrupt police state and you people are vinc, in it and out'of'it, you have crcated a masterstroke :f political theatre which not only reveals the police state but that it is possible to beat it, and it belongs on film.. d. "Osawatomie", Autumn, l975, number 3, page 16. CONE