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Adrian Lamo — Part 1
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His recent birthday, I think, has caused Lamo to question his
mortality. He seems on edge, and when I ask him about his
impending disclosure, he says he's not dissuaded by the target
company’s reputation for hunting down hackers -- “Intimidation is not
a substitute for security,” he insists -- but admits to weighing the
ramifications. At one point, he stares into the sun, his brows locked,
and considers a question about how he would fare in jail.
"T don't know; I could be happy indefinitely sitting here in the sun,
and this could be a prison yard if you put walls around it," he says at
last. "But prison would curtail what I do, and it would be unpleasant."
So why go through with it? He gives his standard line: "This is what I
do, this is the role I was born to play.” And he refers, as he often
does, to a quote from Frank Herbert's 1965 science-fiction epic Dune,
the story of a young man who becomes a messiah. At home that
night, I look up the passage: "The person who experiences greatness
must have a feeling for the myth he is in. ... And he must have a
strong sense of the sardonic. This is what uncouples him from belief
in his own pretensions. The sardonic is all that permits him to move
within himself. Without this quality, even occasional greatness will
destroy a man.”
Only then do I understand: In his mind, Lamo’s life is a new kind of
story for the Information Age, the quasi-mythic saga of a traveler,
perhaps not so different from Dune's, whose adventures are neither
wholly corporal nor wholly virtual. If Lamo spends too much time
considering his actions, he steps too boldly out of the character he's
created. And more than anything, I think, Lemo wants to know how
his story will end.
In that respect, at least, he's not so different from the rest of us.
Bo
N
sfweekly.com | originally published: April 16, 2003
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