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Bertolt Brecht — Part 1
Page 47
47 / 93
L A 100-18112 of .
ACTIVITIES IM EUROPE, 1950 TO 1940 soe
source cane
According to this source, BERT BRECET together with HANNS EISLER
ands DUDE wrote an educational play entitled "Die Massnahme” (The Disoi-
plinary Measure) in 1930, or possibly earlier. This play appears in the
Second voluse of the collected works of BERTOLT BRECHT (BERTHOLD BRECHT,
Gesamelte Werke, Band II), pages 329 to S63. This volume was published
by the Malik- g Publishing Company, London W.C. 1, and was printed by
HRIMRICK SOHN, Prag, Crechoslovakia.
7
According to this source, “The Disciplinary Measure is described = {
as an “educational play" by its authors. It deals with the work of four t
Communist agitators “ho go fran Moscow to biukden, Manchuria, to spread propa-
ganda and support the Chinese Comunists emong the industries of }ukden. The
action of the play takes place before the "Control Committes” whan the four
agitators retum to give an account of their work and experience of the fast
that they have been forced to kill a young Communist comrade whose intentions |
were good but whose death was deemed a neceesity by ths four agitators since
his activity threatened to endanger the Communist movement among the Chinese.
In order to explain the position to the Control Cqmmittee, the four agitators
reenact for that body their activity in Mukden. On the whole, the book advo-
cates Communist world revolution by violent means. .
\
This source reflects that a letter dated May 12, 1930, at Berlin,
Germany, was published along with this pley. It ie signed by both HANNS EISLER
and BERT BRECHT. It defends the play, explains the intention in writing it,
objects to censorship before its presentation, and specifically calls it an
educational play. It suggests that its presentation be removed from ell in-
fluences. A complete translation of this play has previously been brought to
the attention of the Bureau.
SOURCE =
-This source advised that in about 193] BERT SRECHT and HANNS EISLER
were two-authora of « march known as the “Song of Solidarity” (Solidaritaets-
Lied). ‘This march was adopted with the permission of BRECHT and BISLER as the
song of the Comunist youth organizetion in Germany prior to Hitler's rise to
power.
Tt may be noted here that HANNS EISLER is known to this office as a
German refugee writer and musician with comunistio tendencies, presestly =
active with BRECHT in the Free German sovesent, which will be described later.
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