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Bertolt Brecht — Part 3
Page 73
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"In a series of eleven sccnes, '. 1
. Privete Life of the Mester Kece' traces
’ the rise of Hitlerism in terme of
representative Germen people, the mictl¢
and lower clesses, the scholars, the
esta Lopate _.Jews, the trades people, a Christian
ee tte “preacher, and finally, some Hamburg
. workers who mean to preserve the ideale
Tietee oe . of humanity."
This review also reflected thet the scenes
depicted a brutclly sontemptucus stor tro
disingenuous enemy of the refine, a rirl she
Nazi arrogance, a honey-voiced properendist en
_-yewiah wife, who recognizes some terrible realities.
RUSSEL EENTLEY, the
io in’ America" conteing
With respect to ER
. 1952-1953 edition of "who!
the followine informatio:
fe ERIC RUS Ro BE Pe vTLEY ax Seton, vory Ln
September 1, 1916 son “of DAURAAEY.
ichelor of Setters, Oxford; PFD, Yele; merriec
'SCHERNJAKOW; associate professor of =nelish,
University of Minnesota; free-lance writer for Harpersg ~
Atlantic, New_ York Times; advertising editor, ‘ithe <enyon™
Review since 19.6; European correspondent of Theater
<; Arts -1948-1949; guest director, Hedgerow Thester, 1948;
* Guggenheim fellow 1948-1949; author, A Century i” Hero
Worship, 1944; The Pleywright As ne binkers 1946;
BERNARD SEAY, 1947; translator: Tne Private sis
the Master Race end other works of Brae BROT;
editor: The Importance of Security, Prom The
Modern Repertoire, 1949.
* : The files of the “ew York Office contain
no pertinent information concerning ERI” RUSS™L PENTLMY.
TN Ph omy Wenn pear yi,
Cane a ee
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