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Fr E™ATK FANTHS! «aRTY ( “Right on, right on, right on, right on, right on. Like I don't usually come South. I think the furthest South I've been is the South ferry (phonetic) in New York. But I see out hers a whole lot of beautiful black young people. I even see some white mother country radicals sprinkled here and there. I see some . . . I see some brothers and sisters who are a little bit older, but they haven'r fell for long-nose (phonetic) NIXON's gereration gap. But they're here too. "See, I think, I think that one of rhe first impressions I got when I got off the plane was how brown and how dark the soil was in North Carolina. And being born in Harlem, that is a mind blow to see very dark rich soil. And the first thing that hit my mind was why that soil is dark and rich. That soil is dark and rich because there was dark and rich blood that ecaked it and made it into a fertii« soil. And that blood and those tears was the blood and tears of millions of black people. "So we're going to talk about that. We're going to talk ! about a system that thrives on sucking people's blood. A system . where black people are forced to live in conditions that deny them all semblarte of humanity, that denies them all outlets of self-creativity. We're going to talk about these racist dogs like, what's that fuck's name, BENTON, red-neck BENTON. We're going to talk about that flathead because I'd like to ride on him. I'd like awhils on him. The kiewais gavé me a word on him as soon as I : came here and I jottea them down. I've got him with a lins under . his nase. So I'm going to curse him out first. Because I know ‘ he's no good it. his name is RAY and he's from the South. "So, before we get to cursing out BENTON, I want all the ! brothers and sisters here to realize that as far as black people are concerned in a racist Babylon in twentieth century America, there's no difference between geographic positions. There's no difference between the North and there's no difference between the South. Ain't nothing changes but the address. And I think that once we make that basic funjamental realization, we can understand why a black person will get off a bus in Chitling Switch €honctic), Gevrgia and the first thing he does is turn to the right and of the dial on the radio to pick up on some soul music, because we know that niggers is always on the right hand of the dial. If you want to . 19 '