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Bertolt Brecht — Part 3
Page 38
38 / 90
L.4. 100-18212
Cd *
GREGORI KHEIFET?, former Soviet Vioe Consul st San Francisco. It is known ~
that KHEIFETZ has engaged in espionage activities while in California. .~
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rs
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*
The Los Angeles Times for Ootober 25, 1917, stated: "Communist
invasion of Hollywood was carried on largely by ELI JACOBSEN, a charter
ee ee, ea. ee fPeunded he aanhnent nae ae +h
menwves, VS Mie WOU eS EE we Saw 464 Weise we FV e known a5 waa
*People's Educational Center’ and who has “adeappeared since quitting the
Party, CARLSON told the committee. JACOBSEN, who set up the institution,
was ‘very agitated’ when he decided to get out of the Communist Party,
socording to CARLSON,”
"The FEC founder then revealed that he had been ‘sent to Holly~
wood by the Party to conduct olasses and educational propaganda among
film folk, not the rank and file but the elite.'"
BRECHT testified before the House Committee on Un-American
_ Affaire on October 31, i917, that he was not a Communist - but admitted
that he had written revolutionary literature in Germany because of anti-
Hitler feelings. He also testified that he had collaborated with HANS
EISLER, whom he had known since the middle 20's, and had az acquaintence-
ship with GERHART EISLER and other Communists. He also, according to the
Journsl-imerican Newspaper, stated that GREGORI EHEIFELS visited him in
1913.
A telegram from the Now Tork City Office dated November 20, 1917,
reveals that BRECHT on that day was in Switzerland. His re-entry permit
Ma. A-1137990 - left New York for Paris, October 31, 1917, by air lines.
Stop has been pleced in New York City re return. Suggestion was mde that
@ stop notice could be and would be placed if desired.
& confidential source, referred to as “Source B* in the report of |
Special Agent subject file, dated January &, 1918,
1 reveals that: "In reality, BRECHT has always acted and written as a propagan-
{ dist of Communism and Sovietiom. In 1919, BRECHT was editorialist of the
"Reale Fahne’ (Red Flag) in Augsburg." - "I have followed BRECHT's career from
that tine. ERECHT was an unswerving advocate of Soviet policy in Germany.
He wrote several outright Communist plays; among them "Die Massualme’ (The
Measure) and ‘Die Eeilige' Johanna Der Sohlechthoefe,’ 1932, (St. Joan of the
‘sloughter houses). The locale of this play is in America, end BRECHT tried
to prove the necessity of the downfall of captilism and free enterprise.
In 1932, the demcoratio goverment of Hesse forbade the performance of thie
play beosuse of its Communist tendency. One of the short plays of BRECHT
is written in preise of the secret societies in all countries whi d "*.
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