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Henry a Wallace — Part 4
Page 229
229 / 543
34
the basis for foreign policy” and that
they “have validity ‘only if they can be
made to coincide with real national in-
terests.” Since he breaks his narrative
in December, 1942, he elects to define
these interests exclusively in the shoit-
term sense of winning the war with
practically no attention to the
long-term sense of paving the
way for a just and durable
peace. Thus he falsifies the
historical perspective. He ad-
“mits that with the death of
Darlan “the French problem
merely entered upon @ new
and if anything more bitter
phase, which even at the
time of the invasion of Nor-
mandy, eighteen months jater,
was far from resolution.”
Yet he says of the Vichy
gamble that ‘“‘we followed a sensible,
purely opportunistic policy [which}
always was 4 substantially sound one
even though it may have been an
unattractive one,” and that it was
“completely justified . . . an unquali-
- fed « success.” His conception of the
policy as a “gamble” implies that he
chooses as his criteria exclusively the
calculated risks of military strategy.
His understanding of the stake wholly
ignores the humane and moral prin-
ciples involved in the permanent prob-
Jems of a world order. “At no time,”
- says Langer, “were we willing to stake
much on de Gaulle.. We were not pat-
tial to the fascism of Vichy and we
were not unsympathetic ‘to French as-
pirations. Our objective was to safe-
- guard our own interests, among which
twere the liberation and reéstablishment
of France. No doubt there were differ-
ent conceptions of how this might be
done. But we could choose only one.”
We chose the Leahy-Bullitt-Murphy
policy of expediency, or “We'd better
go easy with the Fascists.” Again, in
April, 1947, we can choose only one
conception of safeguarding our “real
national interests.” And again we are
choosing a gamble. It is the policy of
“necessity” or “We'd better get tough
with the Communists.” The greatest
value of Professor Langer’s book is
that it provides “unofficial official” con-
firmation that the ‘new’ Leahy-Dulles-
Murphy policy is a continuation of the
LEAHY
_ assummption—that
ests” entail winning economic and mili- .
-toad we took in June, 1940, when
Bullitt convinced the President that
Pétain was the arch enemy of “chaos”
and in January, 1941, when Leahy
transformed a prejudice into a policy.
Murphy's role is more important than
ever; he is the man in the shadows be-
hind Marshall. Leahy more
than ever is the power behind
the presidential throne. In-
deed, there is evidence that
a five-star admiral was £¢-
sponsible for the selection: of
a five-star general as Secre-
taty of State because James
F. Byrnes, though a propo
nent of a “tough” policy,
““qaritéd toughness to. stop
short of a new and more
dangerous form of saber-
rattling.
To those who welcome out “Athens
gamble,” Langer’s book will seem proof
of the sage, far-sightedness of Leahy
and those men in and close to the State
Department who plumped for Pétain
and “order” against the French “lower
classes” and chaos. To those who have
doubts, the book will ‘reveal that both
gambles rest on the same dangerous
“real national inter-
tary wars rather than finding the means
of achieving progress and security by
the methods of peace. PERCY WINNER
Percy Winner spent fourteen years in
Western Europe as a foreign correspond-
ent and was for three years an Ow!
Deputy Divector for Field Operations,
serving in North Africa: His novel Dario
was recently published by Harcourt, Brace.
Fiction Parade
ENRY Morton Robinson's Te
Great Snow (Simon and Schuster,
$2.75) is'a twenty-day blizzard that cov-
ers the northeastern United States and
threatens to destroy all life in the area.
The publishers announce that the story
“can be read on several levels of mean-
ing,” but on the usual level it is the
account of one household during the
storm: Ruston Cobb, a successful patent
lawyer, his family and several guests,
matooned in a New York country house.
The cast is the conventional expensive
variety, smoking and drinking the ad-
vertised brands. Under the strain of the
NEW REPUBLIC
blizzard .and its pressure on “those
loftier structures . . . definitions of mor-
ality and convention,” they set about be-
having in a way we are to suppose is not
habitual to them in normal circum-
stances. But since they foregathered in
the first place for intoxication and adul-
tery, it is not clear how the great snow
modified their intentions. Anyway, Rus-
ton Cobb proves himself the Whole
Man, archtype of the energy and re-
sourcefulness that builds and maintains
civilizations. His ingenuity is described
in detail. oo
The author includes directions to ©
“fact-bound readers” who “in... their
literal-minded way” may fail to regard
“parts of my story as symbols” which
have been “previously used with some
success by the authors of Genesis, ‘Oedi-
pus Rex’ and Finnegans Wake.” At
least it can be granted that Robinson's
good intentions have paved the road to
a Hades frequented by distinguished
shades. '
HE STATE OF MIND (Houghton
| Mifflin, $3) is a collection of
thirty-two short stories Mark Schoret
has written over.a period of ten years.
There is considerable variety among the
tales, but all deal, more ot less directly,
with that state of mind which the author
feels is peculiar to modern life: anxiety.
It is the state of the badgered, the be-
wildered and the exhausted. Add its
companion state, boredom. In this book
these conditions express themselves
mainly through callousness of loneli-
ness, and Schorer is adept at tricky dis-
closures of trivial mentalities and un-
motivated meanness. The characters in
the stories resemble the readers for
whom they were written, the prosperous
public of the slick magazines, and while
few of the stories exceed the level of
high competence, they are an unpreten-
tious and exact report of certain preva-
lent symptoms of emotional and moral
bankruptcy.
OGER Vercel’s Madman’s Memory
(Random, $2.50), a translation
from the French, includes in its slight
213 pages a prodigious allowance of
madness, seduction, suicide, incest and
terror. But these attractions are so deftly
controlled that the story never escapes
TSE
ES
AS
iste
gee A a ee
oT Ste TS
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