◆ SpookStack

i * Tickets from Raval. Festival Box. Office (war 3191) ere |* Car Parks available London SE 4. and usval Age: ROYAL General Masaser: John Dents, C.B.2. FESTIVAL HALL LONDON Toon PHILHARMONIC — | Dvorcn',,.. Gatto Concer in B minor Halting " Nov. « oun ron vonme ‘Symphoay No. 1 ia C minor 1H i | London | Philharmonia ¥0/- 21/- (all others Bok) tre Tue ll NEW PHILHARMONIA | or. aw =? mot tm mec’ cuonus ’ Neola Godda Bermaas Prev aan pm New Phitharmonia Orchssira Lid, Gj- A2f> {ak orders 20h) Beck C mince 8.562 ORGAN RECITAL ALENA VESELA . ° Revel Fentvel Belt horas No, 2 fa B misor Postlude (Glagotitic Masa) S/- Gnctudiag proscamme) LONDON SYMPHONY * Moshe Alrmon Menor Otetrake Victor Mochhauser Lid. | Tehumorsky Violin Concerto No. 1 G minor Beethoven Symphony No, 6 i F ‘Pamocad 30/- 25/- Gall others sold) BERLINER STAATSKAPELLE oe ert Mase ‘Awaclice Burmetwer Boreder! end Company Lid Paot Deseon .. in Memoriam Bertolt Brecht Uehrendea Mahler Leder, elnee ‘Gesclen Beackmee Symphony No. 7 is B Please note chanse, of conductor. 116 Sie" 21f- aSte 10fe Og > MENNY GRAHAM'S AFRO-CUBISTS Marold Davison Led, 7 1 | STAN GETZ QUARTET dems Concerts At/- 1676 10/6 10/6 Bf QUEEN ELIZABETH HALL HUNGARIAN QUARTET Bort 12/6 Fomerveb 7/6 antorcrved (6k 1 Quartet Now. 2, 3 and 3. EDMUND "kt TZ (cello) ERNEST ‘Bel Mannern ulte Italeone Belttem : LUSH Giane) ibe ihlen | srohme | Sonata ia Neate diets Tah Bel a ia ic for Sue NT aed Van Wek Lad. ry ORCUESTRA a = RTHERN SINFONIA ORCHESTRA, JOIN DANK WoRi Johan, Dankworth ‘Haslam Daakworths Excapaue Northern Stnfonta Concert Soe. e 21f- aSi+ 120 ICHAEL ROLL Int prize winner tS Ei ‘BagaicWes, 09,1263 Soave in © 196% Leeds Puezaatiogal Fane ‘competion minor OD, 11] Barték: Sue Harold Holt Lt (@nezi0) aya: ony No we) ett) Tanda ok ‘No, 68. ENGIISH CHAMBIR “ORCHESTRA crude! nel, aah oe ste “Legged (ooed) Janet Bas we keeles 1 Wartatona tr Seine | ‘on reaida abbandona:s pene met sh Chamber Orch Lie, a ve remo iE TRIO © minor, Op. 101] to B. |. aC, Op. 37 OB alin wicadonsting Corperetion , PURCELL ROOM ~ Foday AD New, | Tons funae tsi by Ina Hote Yor Gall one 3 ‘Shade THe EARSIATIN isd * devised Pelee Oa inser Teen’ era bold) (piano) GERATD GOVER (plano) GERALD woprano) Beryl Cook (mecz0) ‘Dawtd Potten (clarinet) Works ‘Centre for Musical Interbretaiion EW SicGEE (violin) MICHAEL E minor Beethovew : Som: 2 in D Op. Sta Is/- 40/6 7/6 SJ ‘Scobert 1 Roadeat ' Christopher Hunt Lid. PORTIA WIND ENSEAI Dandi t Quintet Op. Sp No. Five. Pieces (Prizewinngs, cor phonics Geotirey Gre £106 Compenitio 1 Morarts Adarto, i 411 Micheal ‘Dement Gite jucted by Ronald Gil heck. 1 Serenade, te)- n_ Prize Concert ‘Gillham Pa 16 SI- Pe Grarpstchora) Racks Sent loupe! songs Mocart + 15/- 10/6 SI WINIFRED ROBERIS Gidi) HELEN WATTS Go: in C K.296 Haya E for viotla 19d. harpa Cantata: Ariana Kisckman Concert Soctet Ltd. + Sonata No. 2 in. F in A. Vriationy ai Brawure RAS (ccilo), GEOFFREY, PARSONS ‘Op. 99 Debussy ‘Schubert 1 Sonain ia nae toe aa 4a, D minor Baccheatnt Carpegnione) Patnaiet | im, pitt Armenirala Hott rd. THE TV critic’s choice of view- ing is, of necessity, artificial. The new has to take precedence over the familiar, the docu- mentary over the old. movie, the play over the serics. What is more, from fear of tuming into an armchair Baedeker, there is a tendency. to impose a thematic grid over the - week's output, spore be This obsessive pattern -making has to be watched, but in the last week or two they’ve made jt easy for us. The bi-centenary of the Russian Revolution produced two important documentaries, while = factual account of a real police force suggested a fresh Iook at the telly-fuzz. Yet, as is often the case," the most startling moments have resulted from turning on a few minutes before a marked pro- gramme of not switching off after it, Last week, for instance, } hap- pened to catch the second half of Talkback (BBC-1), and saw Stuart “Hood ,in _ the hot-seat, defending | “his view “th that people who wriic in about TV shows are usually cranks, while among those viewers who wished to refute this argument was the liberals’ bogy-woman _ herself~ Mrs Mary Whitehouse. I have always felt slighUly worried about this lady in tho past because I found it difficult to dismiss the nag- hen ging idea thas, where: sho stood for seemed sive, it was possible th represent the views of public and, by ignorin and applauding the BE it put out a progran . ted: might driv: vat was deliberat ‘with a moral + - "Talkback * get my mi * The audience is, as tion is at pains tc * statistically — selectec Hood's inquisitors h shares in the fashio: sive; but once Mrs \ out her eens horses by associate" vthemmselv« views, and attacked “ viewers’ council’ tc of the whip the BE form. What is mo audience broke into ter at the most vel assertions and vote ip favour of the m ought to question + «and had the right to - shock us, without fe This is not to imagine she has no docs seem, if thi genuinely represents ever well organised mains & minority : and nof a cyn ‘PENELOPE *.. MORTIMER :: Bunuel Buduel’s Belle de Jour (Curzon) i iz —-and | believe it was intended to be—highly comic. A jingling car- riage and pair clops through an autumn forest; on the box, two impassive coachmen in full livery; ; instance, goes no fu handsome and di appearance. Nor do. In spite of her lurid eppear more .than shell. All this can, plained by the fact tiny ly not meant t usly. It ds a brillia Joke which tells onc ite, about the sex men and women as on the subject. 3) tivating but not pr Robert Shaw anc are the only a Shaw the Cineram: in the carriage, the most pleasant | he is capable of fii young married couple imaginable, handsome, rich, in love, not a feel- ing out of place. Suddenly the bus- band orders the carriage to stop. He tells the coachmen to drag his wife, screaming, into the under- growth. She is tied to a branch, stripped and whipped. ‘She's all yours,’ the husband says laconic- ally. Unbutioning, the coachmen fail to like wolves. The poor little fluttering creature closes her eyes and gives in. ‘The fantasy hee be —aecin °F: 6t course, the wife's, and the most interesting aspect.of tho Fxter:, of screen with a gt yet, like Burton, he foene he plays w Peery