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Charles Manson — Part 4
Page 281
281 / 551
= his happened pronianenialy,
We dint plan any of it. It was al
spontaneous.
Then, all of a sudden, we heard an
old man and an old woman coming
al of the house.
at are you people doing?" they
yelled. And they went on lik —
blah, blah, blah. ° that
; The old woman began screeching:
"My houseman belongs to the sher-
iff's reserve, and I'm going to have
him report this. What are you
doing?"
Tex just looked at the old man and
old woman. He just looked at them
and smiled, and then he said, cool as
you please—wow—-so cool:
"We're just getting a drink of
water. Sorry we disturbed you.”
We watched the newscast,
and it really helped me to
know that the people were as
important as they were.
It blew my mind.
The old man said, "Is that your car |
oe ng street there?"
"No. We're walking,"
— ute cool, man, i. = ee
e said real low to us, "Okay, girls
get in the car," and w “fast
walk eae e double-fast
e old man and woman ke
walking behind us, and when a et
in, the old woman still was jabber-
ing away.
"Take down their license number." |
But the old man said he didn't
have anything to write it down with.
Tex got in the car and started it,
and the man came up and reached in
to take the keys, evidently knowing
something suspicious was going on.
Tex flooded the motor, but then
got it going, put it in low and took
off. Practically broke the old man's
hand, from what I could tell.
I just flashed, wow, that was a
strange house to pick, out of all the
houses—and then we drove down
the road and made a couple of turns
and stopped at a gas station.
The purpose was—we were almost
a of each
e bought some gas, and the three
atusgiz)s took turns goin
_pathroom, checking for Dlogd_snats
“Syd treking sure we were clean, Te
did the same. :
But as we drove off, and all the’:
way out to the ranch, I noticed there:
was blood on the car, and I hoped
nobody had seen it.
When we got back to the ranch, I
went in the kitchen of our hangout
(an abandoned western movie set),
and got a rag and proceeded to wipe
down the whole car for blood.
I didn't know where it was, really,
but I knew if there was any, like I
thought I'd seen, it would be on the
steering wheel, and on the door
handles as well.
Then Charlie came up, and said:
"What are you doing home so
early?"
We girls went down to what we
call the bunkhouse and went in, and
there was Brenda (Nancy Pittman).
Pretty soon, along came Charlie and
Tex, and we all sat back.
I almost passed out. It was like I
wasn't there. It was like a seance.
I was sitting there, trying to pay
attention to what Charlie was say-
ing, and I just couldn't handle it. I
laid back on the floor. And I felt as
though I was being killed.
And Charlie and Tex told me that I
would he killed if I betrayed their
trust. Charlie, he told me many
times: "Sadie, you've been with me
two years now. For a long time. If
you ever decide to leave, I'll take
you and hang you upside down, and
slit your throat and use you as an
example for everybody else."
All of Us Were One
But it made no difference to me.
Charlie was me, and I was Charlie,
and all of us were one at the ranch.
And when we got back from
Sharon's that night, he just acted as
though it never happened. Charlie is
the type that lives for each second,
and pays no mind to what may
happen two seconds later. That's
how much he is with it.
So Charlie said nothing about
what happened at Sharon's, and I
went in and slept for a while, but
first I think I made love with Clem
(Gary Tufts). I'm not sure who I
made love with—or if I even made
love that night.
‘And when I woke up, it just hit
me.
I wanted to go and look at the
television news reports because I
knew it would be in the news. I went
into what I call the trailer, an area
located next to the Spahn ho
there was this little TV in there.
, Fyne thine teat ie ws and that was
I went wild, and, qu e,
out and got Katie and told he
aye
come watch television with ms, 9 |
was on the news.'I called Linda in
and I called Tex in and I called Clem
in, because Clem knew about it—he
had been in the bunkhouse when we
got back.
Charlie wasn't awake.
tched the newscast, and i
Hind oft really helped mateknaw
at the people were’ as important as
they were. It blew my mind.
Andvall of us watching made a few
comments, like — well, Soul
(Charlie) really picked a good one
this time.
Just happened to have been
Sharon Tate, a movie actress, and it
happened to have made nationwide
and worldwide news which we had
no knowledge that that's what it
would do.
There was a comment made by
one of us that what had happened
had served its purpose.
That was to instill fear in man
himself, man, the establishment.
That's what it was done for. To
instill fear—to cause paranoia. To
also show the black man how to go
about taking over white man.
Then I just put what had hap-
pened out of my mind, the best I
could. But I couldn't. I just had
nothing but pictures and flashes. It
was so vivid I just accepted it and
sat and watched the pictures in my
mind.
I tried to appear normal, and did
my work on the ranch. But I would
look at Katie, and Katie would look
“Don't panic the people this
time. Let them think it’s going
to be OK—so they'll at
least go in peace.”
at me, and we both knew that was
the utmost thing in our minds, that
we couldn't put it out of our minds
—it was right there.
And I'd look at Charlie, and he'd
wink at me and give me reassurance
that everything was OK, was going
to be all right. Not that he said it
aloud, He didn't have to say it—I
just felt it. That's the way Charlie
‘ was. He didn't need to speak, he just
cameurr?
Be *
ant
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